Friedrich Kiesler, Studie zur Vision Machine, New York, 1938-1942; Detailstudie zur Vision Machine, New York, 1938-1942; Detailstudie zur Vision Machine [Tubes], New York, 1938-1942; © 2018, Österreichische Friedrich und Lillian Kiesler-Privatstiftung, Courtesy of the artist und 303 Gallery, New York, Ausstellungsansicht Andere Mechanismen, Secession 2018, Foto: Peter Mochi

Sam Lewitt, Stranded Asset: Filler, 2017; Cameron Rowland, Pass-Thru, 2014, An Privatsammlung verliehen, Courtesy of the artist und Galerie Buchholz Berlin/Köln/New York, Courtesy of the artist und ESSEX STREET, New York, Ausstellungsansicht Andere Mechanismen, Secession 2018, Foto: Peter Mochi

Nairy Baghramian, Scruff of the Neck (UL 11, F), 2016; Scruff of the Neck (LL 17/18/ +1), 2016, Courtesy of the artist und Marian Goodman Gallery, Ausstellungsansicht Andere Mechanismen, Secession 2018, Foto: Peter Mochi

Jay DeFeo, Untitled, 1987, Courtesy of The Jay DeFeo Foundation; Jean-Luc Moulène, Blown Knot 6 32 (Borromean) – varia 04CIRVA, Marseille, octobre 2012, 2012, Manizeh & Danny Rimer Collection, Ausstellungsansicht Andere Mechanismen, Secession 2018, Foto: Peter Mochi

Zarouhie Abdalian, Joint (ii), 2016, Collection of Joachim and Nancy Bechtle; Joint (iii), 2017, Collection Jack Wendler; Joint (IX), Collection Sonya Yu und Zachary Lara; Danh Vo, Twenty-Two Traps, 2012, Collection of Andrew Ong & George Robertson; Zarouhie Abdalian, Joint (ii), 2016, Collection of Joachim and Nancy Bechtle; Joint (iii), 2017, Collection Jack Wendler; Joint (IX), Collection Sonya Yu und Zachary Lara; Pope.L, Lever, 2016, © Pope.L, From the Collection of Jay and Tom Heman, Courtesy of the artist and Mitchel-Innes&Nash, New York; Lutz Bacher, Chalkboard (Space), 2015; Untitled (Chalkboard), 2015; Untitled (Chalkboard), 2015, Courtesy Galerie Buchholz, Berlin/Köln/New York, Ausstellungsansicht Andere Mechanismen, Secession 2018, Foto: Peter Mochi

Danh Vo, Twenty-Two Traps, 2012, Collection of Andrew Ong & George Robertson; Louise Lawler, Formica (adjusted to fit, distorted for the times, slippery slope 3), 2018, Courtesy of the artist und Metro Pictures, New York; Zarouhie Abdalian, Joint (ii), 2016, Collection of Joachim and Nancy Bechtle; Joint (iii), 2017, Collection Jack Wendler; Joint (IX), Collection Sonya Yu und Zachary Lara; Ausstellungsansicht Andere Mechanismen, Secession 2018, Foto: Peter Mochi