Christine Sun Kim, Alphabet From the Speller̕̕'s Point of View, 2019, Charcoal and oil pastel on paper, 125 x 125 cm, Courtesy the artist and François Ghebaly Gallery, photo: Peter Harris Studio

Christine Sun Kim, Echo Trap, 2021, mural, installation view, MMK Frankfurt, Frankfurt, Germany, Courtesy of the Artist, MMK Frankfurt and François Ghebaly Gallery, photo: Axel Schneider

Kresiah Mukwazhi, Thirst, 2020, video still

Kresiah Mukwazhi, Untitled, 2022, detail

Jordan Strafer, Untitled, 2022

Vivian Suter, Worm in a Water Glass, Vleeshal, Middelburg, 2020, photo: Gunnar Meier

Vivian Suter, Untitled, n.d., mixed media on canvas, 310 x 181 cm, photo: Isabel Rotzler

Margaret Salmon, Production Study Boy (winter), 2022

Margaret Salmon, from the series Auto-objects, as of 2022

Karrabing Film Collective, for Contour, 2015

Karrabing Film Collective, for fish trap, 2021

Lazar Lyutakov, The incantation of empty events #2, 2021, SIMIAN, Kopenhagen, installation view, photo: GRAYSC

Lazar Lyutakov, The Sofia Car, 2021, Largoto, Sofia Art Projects, installation view, photo: Lazar Lyutakov

Delaine Le Bas, Ancient & Precious, performance, Tate Liverpool, July 8, 2022, Courtesy Delaine Le Bas, Lincoln Cato and Yamamoto Keiko Rochaix London, photo: Lincoln Cato

Chen Chieh-Jen, Realm of Reverberations, 2014, blu-ray disc, black & white, sound, four-channel video, about  23 min. for each channel © Chen Chieh-jen Studio

Chen Chieh-Jen, A Field of Non-Field, 2017, installation view, © Chen Chieh-jen Studio

SoiL Thornton, Decomposition Evaluation, 2022, installation view, Kunstverein Bielefeld, photo: Fred Dott

Beginnings of dematerialized space/containment through exercising imagination, then exercising active practice? (ready to go), 2022

One wall in each room painted chromakey green

Unique, detail

Husband Chair (KB), 2022

Leg 1: 332 x 125 cm, height 173 cm

Leg 2: 421 x 80 cm, height 173 cm

Coated fabric Delinova 100, color 7211, monochrome

External blower with dimmer and silencer

Vertical inner cloths approx. every 30 cm

Dirt photo (guarded)/Dirt photo (vulnerable), 2022

Archival pigment prints on paper the scale of Deana Lawson’s Barrington and Father, 2021

Ink jet prints, each in Pine Nature wood frames

Each 194 x 154 cm, detail

* guarded photo must be installed in a location that renders it inaccessible, covered or dismembered, blocked

* vulnerable photo must be installed in a location that renders it fully accessible both visually and physically, unblocked

SoiL Thornton, Cellular photograph shot with apple iPhone XS on Saturday, July 27, 2019 at 1:41 PM

Mai Ling, Mai Ling Kocht 2: Eating as pleasure and protest, 2021, video still, © MAI LING

Mai Ling, documentation of the online collective protest Not Funny!, 2020, © MAI LING

Mykola Ridnyi, Lost Baggage, 2019, 12th Kaunas Biennial, photo: Remis Ščerbauskas

Mykola Ridnyi, Blind Spot, 2014, Berlin, photo: Mykola Ridnyi

Tishan Hsu, Liquid Circuit, SculptureCenter, New York, 2020, installation view, photo: Kyle Knodell

Tishan Hsu, 59th Venice Biennial, The Milk of Dreams, Arsenale, 2022, installation view, photo: Michael Yu

Charlie Prodger, SaF05, 2019, video still, 39 min., Courtesy the artist, Hollybush Gardens, London and Kendall Koppe, Glasgow, © Charlie Prodger

Charlie Prodger, SaF05, 2019, video still, 39 min., Courtesy the artist, Hollybush Gardens, London and Kendall Koppe, Glasgow, © Charlie Prodger

The Agency of Singular Investigations, Century Beast, 2019, photo: Moscow Museum of Modern Art

The Agency of Singular Investigations, Dacha, 2019, photo: Moscow Museum of Modern Art